Friday September 6th 2019
Anglia Ruskin University, Cambridge
So then, whatever may be the means, or whatever the more immediate end of any kind of art, all of it that is good agrees in this, that it is the expression of one soul talking to another, and is precious according to the greatness of the soul that utters it. And consider what mighty consequences follows from our acceptance of this truth! (John Ruskin, Stones of Venice)
In her review of Ruskin’s Modern Painters 3, George Eliot writes: ‘The truth of infinite value that he teaches is realism- the doctrine that all truth and beauty are to be attained by a humble and faithful study of nature, and not by substituting vague forms, bred by imagination on the mists of feeling, in a place of definite, substantial reality.’ Through the nineteenth-century, Ruskin, Eliot and a number of Victorian reformers sought to clarify the divine and human sources of, and the connections between, goodness, truth, and beauty. This conference will offer the opportunity to explore how belief in the inextricability of these concepts informed understandings of the self, the other, and the world and to investigate the shifts in perception witnessed later in the century.
We welcome paper and panel proposals from scholars at any stage of their careers that explore ideas of goodness, truth, and/ or beauty in the work of John Ruskin and his contemporaries. Individual proposals for 20 minute papers should be no more than 300 words and accompanied by a short biographical statement. Proposals for 90 minute panels, each including 3 speakers, should be no longer than 1,000 words and include biographical statements for all the contributors. Please send your proposal to firstname.lastname@example.org by 5pm on Friday May 17th.